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Anna Latham & Helen Neve, London. Silver and gold. Outlets include Jess James, London; Johnny Rocket, Greenwich; Gill Wing, London; Diana Porter, Bristol: Bloomsbury, Bath; Design Yard, Dublin.
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Jenny Llewellyn is a jewellery designer-maker based at Cockpit Arts in London. Vibrant, fluid and experimental, Jenny’s practice is an exploration of colour! Her jewellery is characterised by handcrafted, organic forms of precious metals, combined with vibrant bursts of silicone.
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Lynne MacLachlan's work plays with light, space and colour; vibrant geometric forms reveal ephemeral, shimmering optical patterns, crossing the boundaries of design, art and fashion.
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Scottish designer/maker Tina MacLeod works predominately in silver but also explores Japanese alloy techniques such as shibuichi and mokume gane to create hollow forms. Using colour as a surface texture through patination, she is able to convey a sense of the unique nature of the Scottish Highlands.
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Graduated from Duncan of Jordanstone College of Art, Dundee. Based in Crieff. Scottish (born Mombassa). Fiona press forms silver to create simple shapes which are then enamelled and fused with gold foil bringing colour and texture to each individual piece.
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Lindsey Mann combines printed anodised aluminium with precious metals and altered found objects to create playful jewellery.
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Trained at Birmingham School of Jewellery and Central St. Martins, Lucy established her London workshop in 2002 within Cockpit Arts Deptford.
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Rhona McCallum is an MA graduate from Edinburgh College of Art working in precious and non-precious metals and natural stone. Rhona works from her studio in Glasgow and exhibits her work in the UK and internationally.
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Karen lives and works in Edinburgh. Particularly influenced by a 1950’s and 1960‘s colour palette and the simplicity of Scandinavian design, her most recent work involves inlaying pattern or simple line details into resin, giving the impression of a continual line and form. Within design she is fascinated by subtle changes in tone, which create harmony, producing jewellery that compliments any occasion.
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Kelly Munro's jewellery combines branded wood, knotted rubber and delicately pierced metal, both precious and non- precious. She uses the traditional process of wood burning and mixed with the creation of her own tools used to manipulate the surface of the wood. Combining this with hand pierced structures that loosely represent fishing nets she tries to capture the rustic feel of her homeland and fishing heritage at the very far north coast of Scotland.
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